售樓部軟裝設計

用簡約純粹的設計語言，賦予空間生命力與藝術感，同時融入文化的注腳，不囿于某一種邊界，而是現(xiàn)代對生活方式的態(tài)度和理解。

With simple and pure design language, the space is endowed with vitality and artistic sense, and at the same time integrated with cultural footnotes. It is not confined to a certain boundary, but the modern attitude and understanding of life style.

售樓部軟裝設計

光，是空間內(nèi)的天然藝術品。路易斯.康曾經(jīng)說過：“對我而言，自然光是唯一能使建筑成為建筑藝術的光?！痹诳臻g表現(xiàn)上，室內(nèi)燈具與自然光影投射相互更迭，觸及人們的視覺神經(jīng)，成為視覺環(huán)境中的強勢元素。

Light is a natural artwork in the space. Louis Kahn once said, "To me, natural light is the only light that makes architecture an architectural art."In terms of spatial expression, indoor lighting and natural light and shadow projection alternate each other, touching people"s visual nerve and becoming a strong element in the visual environment.

售樓部軟裝設計

玻璃作為介質(zhì)，讓自然光盡情澆在室內(nèi)，在室內(nèi)優(yōu)雅地流淌。自由的光線，隨著時間的變化，在幾何體塊中移動，明暗斑駁，由此而產(chǎn)生不同的空間韻律。光影四季，變?yōu)槭覂?nèi)生動的景象。

As a medium, glass allows natural light to be poured in the interior and flows gracefully in the interior. Free light, with the change of time, moves in the geometry block, light and dark mottling, thus producing different spatial rhythm. The four seasons of light and shadow become a vivid scene inside.

售樓部軟裝設計

光與影如同室內(nèi)建筑的形與面，對空間的定義與美感的經(jīng)營有著不可替代的貢獻。本次設計師捕捉空間中的光影之美，將極簡做到極致，帶給來訪者寂靜悠遠的空間情感體驗。

Like the shape and surface of interior architecture, light and shadow have irreplaceable contributions to the definition of space and the management of aesthetic feeling. The designer captures the beauty of light and shadow in the space, and achieves the ultimate in minimalism, bringing the visitor a quiet and distant space emotional experience.

售樓部軟裝設計

售樓部軟裝設計

冷暖色調(diào)和燈光的碰撞，產(chǎn)生強烈對比，以最少的顏色呈現(xiàn)豐富的層次感。不動聲色勾勒出空間的視覺重點，在照明功能和美學尺度上達成平衡。

The collision of warm and cold colors and light creates a strong contrast and presents a rich sense of hierarchy with the least color. The visual emphasis of the space is laid out in an unobtrusive manner, striking a balance between lighting function and aesthetic scale.

售樓部軟裝設計

整體風格以大面積留白為主，簡潔理性的黑色軟裝之間相互交疊與組合，形成錯落有致的體塊，與該區(qū)域冷靜克制的純白空間產(chǎn)生“沖突感”，創(chuàng)造視覺沖擊效果。

The overall style is dominated by a large area of white space, and the simple and rational black soft clothing overlaps and combines with each other to form a patchwork volume, creating a "sense of conflict" with the calm and restrained pure white space in the area, creating a visual impact effect.

售樓部軟裝設計

售樓部軟裝設計

極簡主義不是物質(zhì)主義的完全對立面，而是對物質(zhì)附加屬性的重新審視。

Minimalism is not the complete opposite of materialism, but a re-examination of the additive properties of matter.

售樓部軟裝設計

售樓部軟裝設計

干凈的線條以及大面積的留白營造空靈純粹之感，為空間主題指引視線的游離，極簡的線條，如同流星劃過夜空，匯入未知的遠方。

The clean lines and large areas of white space create a sense of emptiness and purity, guiding the free line of sight for the space theme. The minimalist lines, like meteors across the night sky, merge into the unknown distance.

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

簡潔干練的空間線條與體塊，一株簡單的綠植，足夠人們重新審視生命之美，心情也變得愉悅起來。

Concise and able space line and volume, a simple plant, enough for people to re-examine the beauty of life, the mood has become cheerful.

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

斯卡帕曾說：“人是自然界中最脆弱的東西，所以他是一根蘆葦，但他因為會思考，可以囊括宇宙，可以通向無窮，這就是人在宇宙中的全部尊嚴?！?/p>

Scarpa once said: "Man is the most fragile thing in nature, so he is a reed, but because he can think, he can encompass the universe, can lead to infinity, this is all the dignity of man in the universe.

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

這處寂靜、有生命力的公共領域，一株小樹在自由向上生長。

In this quiet, living public realm, a small tree is growing freely.

售樓部軟裝設計

從古至今，無數(shù)設計師偏愛在空間嵌入綠植，與其說他們是在表現(xiàn)自然、不如說，透過自然，人們在自然中最終抵達了自己。

Since ancient times, numerous designers have preferred to embed green plants in the space. Instead of expressing nature, they would rather say that through nature, people finally reach themselves in nature.

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

售樓部軟裝設計

名稱欄目：東方美學：極簡、黑與白的平衡之道--售樓部軟裝設計
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